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Paulina Andreeva About Studying At Screenwriting: “I Am An Actress And The Wife Of The Founder Of The School. These Introductory Introductions Create Bias "
Paulina Andreeva About Studying At Screenwriting: “I Am An Actress And The Wife Of The Founder Of The School. These Introductory Introductions Create Bias "

Video: Paulina Andreeva About Studying At Screenwriting: “I Am An Actress And The Wife Of The Founder Of The School. These Introductory Introductions Create Bias "

Video: MA Screenwriting - Overview 2022, December
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TRENCH, Bottega Veneta; TROUSERS, Helmut Lang; SHOES, Dior; RING AND NECKLACE CLASSIC, Mercury (WHITE GOLD, DIAMONDS); CARNE EARRINGS SOLITAIRE, Mercury (WHITE GOLD, DIAMONDS); COLOR NAIL EARRINGS, Mercury (WHITE GOLD, EMERALDS). FOUNDATION NEO NUDE FOUNDATION, 3.5; CONCILER LUMINOUS SILK CONCEALER, 3.75; HIGHLIGHTER NEO NUDE A-HIGHLIGHT, 10; EYES TO KILL EYE QUATRO EYESHADOW PALETTE, 1; MASCARA EYES TO KILL MASCARA; LIP MAESTRO, 500. ALL Giorgio Armani Beauty
TRENCH, Bottega Veneta; TROUSERS, Helmut Lang; SHOES, Dior; RING AND NECKLACE CLASSIC, Mercury (WHITE GOLD, DIAMONDS); CARNE EARRINGS SOLITAIRE, Mercury (WHITE GOLD, DIAMONDS); COLOR NAIL EARRINGS, Mercury (WHITE GOLD, EMERALDS). FOUNDATION NEO NUDE FOUNDATION, 3.5; CONCILER LUMINOUS SILK CONCEALER, 3.75; HIGHLIGHTER NEO NUDE A-HIGHLIGHT, 10; EYES TO KILL EYE QUATRO EYESHADOW PALETTE, 1; MASCARA EYES TO KILL MASCARA; LIP MAESTRO, 500. ALL Giorgio Armani Beauty

I have such a filmography that you won't get tired of leafing through it: you turn it over once and it’s over,”laughs Paulina Andreeva. The actress says that in the profession she has mastered the art of waiting for a long time - the very role, the director, the story. “If there are no interesting proposals, I do not act,” she explains. - I had breaks a year or more. But I don't consider such periods to be stagnation or failure. Rather, on the contrary: I like the fact that I can fully live off the set. Although I love this work very much. " For 13 years in the cinema, the consent of the star was awarded only about 20 proposals - it is understandable: there is never enough good. And four years ago, having met Avdotya Smirnova (not only his friend and colleague in the Vykhod charitable foundation, but also a great director and a person of the correct literary taste),Paulina asked her to test herself for her writing talent. “Dunya asked why I need it. I said that there is a feeling that I am not developing,”Andreeva honestly says, who wanted not something else, but something else. And Smirnova, who does not know indulgence, arranged for her a real course of a young screenwriter. “For about a year she sent me assignments, I wrote texts on them and sent them to her. Dunya returned the detailed analysis, we met, discussed everything personally …”Paulina decided to supplement the invaluable experience of individual lessons with an academic base - she went to the screenwriting department of the Industry Film School. “Of course, I understood how many questions it would raise. I am an actress and the wife of the founder of the school. These introductions instantly create bias. And the only thing that can put everything in its place is your work.It will be possible to avoid condemnation only by sitting at home. And I prefer to act,”Andreeva admits without empty coquetry. Finding herself in the circle of completely new, but just as young and beautiful, people looking for themselves, she never for a second lost faith in her life "before", but clearly saw what prospects in cinema could open up before her "after": "Once again it became clear to me: no need to wait for the right moment or someone's approval. If you feel potential and want to learn, now is the time. " During the courses, Paulina got her hands on a small uniform, wrote the script for a short film about the touching funeral service worker "I Cry With You", she herself - "exclusively out of greed" - took it off, for which she received a special diploma with the wording at "Kinotavr-2019" "For the accurate reproduction of black in comedy." And it started spinning.just sitting at home. And I prefer to act,”Andreeva admits without empty coquetry. Finding herself in the circle of completely new, but just as young and beautiful, people looking for themselves, she never for a second lost faith in her life "before", but clearly saw what prospects in cinema could open up before her "after": "Once again it became clear to me: no need to wait for the right moment or someone's approval. If you feel potential and want to learn, now is the time. " During the courses, Paulina got her hands on a small uniform, wrote the script for a short film about the touching funeral service worker "I Cry With You", she herself - "solely out of greed" - took it off, for which she received a special diploma at "Kinotavr-2019" with the wording "For the accurate reproduction of black in comedy." And it started spinning.just sitting at home. And I prefer to act,”Andreeva admits without empty coquetry. Finding herself in the circle of completely new, but just as young and beautiful, people looking for themselves, she never for a second lost faith in her life "before", but clearly saw what prospects in cinema could open up before her "after": "Once again it became clear to me: no need to wait for the right moment or someone's approval. If you feel potential and want to learn, now is the time. " During the courses, Paulina got her hands on a small uniform, wrote the script for a short film about the touching funeral service worker "I Cry With You", she herself - "solely out of greed" - took it off, for which she received a special diploma at "Kinotavr-2019" with the wording "For the accurate reproduction of black in comedy." And it started spinning.- Andreeva admits without empty coquetry. Finding herself in the circle of completely new, but just as young and beautiful, people looking for themselves, she never for a second lost faith in her life "before", but clearly saw what prospects in cinema could open up before her "after": "Once again it became clear to me: no need to wait for the right moment or someone's approval. If you feel potential and want to learn, now is the time. " During the courses, Paulina got her hands on a small uniform, wrote the script for a short film about the touching funeral service worker "I Cry With You", she herself - "exclusively out of greed" - took it off, for which she received a special diploma at "Kinotavr-2019" with the wording "For the accurate reproduction of black in comedy." And it started spinning.- Andreeva admits without empty coquetry. Finding herself in the circle of completely new, but just as young and beautiful, people looking for themselves, she never for a second lost faith in her life "before", but clearly saw what prospects in cinema could open up before her "after": "Once again it became clear to me: no need to wait for the right moment or someone's approval. If you feel potential and want to learn, now is the time. " During the courses, Paulina got her hands on a small uniform, wrote the script for a short film about the touching funeral service worker "I Cry With You", she herself - "exclusively out of greed" - took it off, for which she received a special diploma with the wording at "Kinotavr-2019" "For the accurate reproduction of black in comedy." And it started spinning.but the same young and beautiful people looking for themselves, she never for a second lost faith in her life "before", but clearly saw what prospects in cinema could open before her "after": "Once again it became clear to me: don't waiting for the right moment or someone's approval. If you feel potential and want to learn, now is the time. " During the courses, Paulina got her hands on a small uniform, wrote the script for a short film about the touching funeral service worker "I Cry With You", she herself - "exclusively out of greed" - took it off, for which she received a special diploma at "Kinotavr-2019" with the wording "For the accurate reproduction of black in comedy." And it started spinning.but the same young and beautiful people looking for themselves, she never for a second lost faith in her life "before", but clearly saw what prospects in cinema could open before her "after": "Once again it became clear to me: don't wait for the right moment or someone's approval. If you feel potential and want to learn, now is the time. " During the courses, Paulina got her hands on a small uniform, wrote the script for a short film about the touching funeral service worker "I Cry With You", she herself - "solely out of greed" - took it off, for which she received a special diploma at "Kinotavr-2019" with the wording "For the accurate reproduction of black in comedy." And it started spinning.“Once again, it became clear to me: there is no need to wait for the right moment or someone's approval. If you feel potential and want to learn, now is the time. " During the courses, Paulina got her hands on a small uniform, wrote the script for a short film about the touching funeral service worker "I Cry With You", she herself - "solely out of greed" - took it off, for which she received a special diploma at "Kinotavr-2019" with the wording "For the accurate reproduction of black in comedy." And it started spinning.“Once again, it became clear to me: there is no need to wait for the right moment or someone's approval. If you feel potential and want to learn, now is the time. " During the courses, Paulina got her hands on a small uniform, wrote the script for a short film about the touching funeral service worker "I Cry With You", she herself - "solely out of greed" - took it off, for which she received a special diploma at "Kinotavr-2019" with the wording "For the accurate reproduction of black in comedy." And it started spinning.she herself - "solely out of greed" - took it off, for which she received a special diploma at "Kinotavr-2019" with the wording "For accurate color rendering of black in comedy." And it started spinning.she herself - "solely out of greed" - took it off, for which she received a special diploma at "Kinotavr-2019" with the wording "For accurate color rendering of black in comedy." And it started spinning.

“IF WE STOPPED AND WEIGHED ALL THE RISKS, THERE WOULD BE MOST OF ALL, NO“PSYCH”WOULD BE. I WOULD NOT CHOOSE SUCH RESPONSIBILITY. BUT THE DECISIONS WERE MADE SO QUICKLY, THAT I DIDN'T NOTICE HOW I TAKEN TO WRITE THE SCENARIO OF A BIG SERIES. "

DRESS, Saint Laurent; TIGHTS, Chanel; BOOTS, Celine by Hedi Slimane; RING SOLITAIRE, Mercury (WHITE GOLD, DIAMONDS); EARRINGS CLASSIC, Mercury (WHITE GOLD, DIAMONDS); VOIL - PROPERTY OF THE STYLIST
DRESS, Saint Laurent; TIGHTS, Chanel; BOOTS, Celine by Hedi Slimane; RING SOLITAIRE, Mercury (WHITE GOLD, DIAMONDS); EARRINGS CLASSIC, Mercury (WHITE GOLD, DIAMONDS); VOIL - PROPERTY OF THE STYLIST

Last year, towards the end of his studies, Paulinas Fedor once discussed new digital platforms and content that is so needed and always lacking. "The conversation about the future" Psyche "accidentally began Fedya:" Kostya Bogomolov is a psychologist with addictions ", and that's it. It was the most common conversation about cinema, but soon he offered to write several scenes, and then a pilot episode,”says the actress. Then the events developed moderately rapidly: the approval of the filming, a year of continuous literary work, endless edits and many drafts of the final text. “Now I look back and understand: if we had stopped then and weighed all the risks, then, most likely, there would not have been any“Psycho”. I would not have taken on such a responsibility, and the young company "Videoprokat" by Lesha Kiselev and Seryozha Bondarchuk would not have done it, - says Paulina aloud.“But decisions were made quickly, intuitively - I didn’t even notice how I signed a contract and started writing a big series.”

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At first glance, it seems that the story of a Moscow psychotherapist-misanthrope, whose wife went missing more than a year ago, and an ageless dominant mother wants to bring him to a rubber doll, cannot be close to Paulina Andreeva. But she explains: “It was interesting for me to explore the psychological pathologies of time: how we cope with anxiety, how we substitute for love, what goals we invent for ourselves, how we communicate with our family, what we really feel and think. And why is it always not enough for us? And despite the fact that the project contains a rare autumn bouquet of actors, from Elena Lyadova, Marina Alexandrova and Anya Chipovskaya to Igor Vernik, Rosa Khairullina and Alexander Gorchilin, with her voice Paulina chose that very 40-year-old sociophobe Oleg, as if played by Konstantin Bogomolov. You can't blame him for wanting to pleasehe is offensively truthful and has some difficulty with empathy. The actress calls the work on it self-psychotherapy. “He speaks as bluntly as I think many of us would like. Without invented rules, etiquette and social flags”.

Andreeva talks about her new role in the film industry with pleasure. However, he is not going to say goodbye to the old ones - on the contrary, any bold proposals await more than ever. But she also plans to continue writing. “I do not regard screenwriting as a hobby that can take up my free time. This is a great work, often invisible to others, but very valuable. " At the very end, I recall the talent test conducted by Avdotya Smirnova. What verdict did she make? “I will not retell Dunya's words,” Paulina laughs. "Someday you will ask her yourself."

From 5 November, more. tv

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