Coats-robes, Paisley Pattern And Turbans: Oriental Motives In The New Collection Of Christian Dior
Coats-robes, Paisley Pattern And Turbans: Oriental Motives In The New Collection Of Christian Dior

Video: Coats-robes, Paisley Pattern And Turbans: Oriental Motives In The New Collection Of Christian Dior

Video: Dior Haute Couture Spring-Summer 2021 Collection 2022, December
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Christian Dior Spring-Summer 2021
Christian Dior Spring-Summer 2021

Even at the very beginning of the quarantine, analysts predicted an impending boom in home clothes. Looking at the latest spring-summer collections, one cannot help but be convinced that their predictions have come true in full. True, it was very difficult to think that this would affect a house like Christian Dior. His iconic evening and cocktail dresses, suits with skirts and the hourglass silhouette (aka New Look) do not fit in with the softness and comfort of pajamas, dressing gowns and negligee. But Maria Grazia Chiuri was still able to find a compromise.

Maria Grazia Chiuri in the finale of the Christian Dior Spring-Summer 2021 show
Maria Grazia Chiuri in the finale of the Christian Dior Spring-Summer 2021 show

The show opened with a bow from a bandeau top, micro-shorts with a paisley pattern and a coat-coat made of fabric in the Central Asian ikat technique - it immediately became clear that the designer turned to the countries of the East for references. A strategically correct decision, given that it is for Eastern cultures that a rather relaxed manner of dress is characteristic. It was from the East that we borrowed loose coats, robes and kimonos, wide-leg trousers and voluminous tunics that do not hinder movement. In this sense, of course, Maria Grazia Chiuri was ideologically closer not to the founder of the House, Christian Dior, but to the legendary Paul Poiret, who once introduced Paris to all these things. Gradually, however, she was able to reconcile this free style with the rich heritage of Dior, continually introducing a waist accent in the form of thin belts in bows.Also, somewhere in the middle of the show, skirts and dresses, already iconic for Curie, began to appear made of weightless transparent fabrics with floral embroidery, and then her signature evening dresses made of flying chiffon - though much softer and less obliging than usual. In this it is already easy to imagine a girl not only on the red carpet, but also on vacation in a seaside town somewhere in the designer's native Italy. Metamorphoses happened with trousers - usually straight and strict, they became wide and flying. Even the pantsuits looked more like bows for leisure than for the office or going to a restaurant. Gladiator sandals (no high heels!) And turbans complemented all the exits - not only another reference to the East, but also just a convenient way to gather long hair or protect from the sun.The color scheme also left no doubts in the choice of the source of inspiration: most of the exits were made in all shades of earth, as if borrowed from the architecture of Marrakech (which is often called the "ocher city"). In general, the collection came out much more practical and wearable than usual. And this, of course, we owe to the protracted quarantine and the fact that it made us all reappraise the delights of comfortable clothes. After all, there must be something good about this whole pandemic?that he made us all reappraise the delights of comfortable clothes. After all, there must be something good about this whole pandemic?that he made us all reappraise the delights of comfortable clothes. After all, there must be something good about this whole pandemic?

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