Just Like In The Movies: Clothes Of Modern Movie Heroines According To Chanel

2023 Author: Henry Pass | [email protected]. Last modified: 2023-11-27 21:12

Even before the show, Virginie Viard very transparently hinted to us that the main theme of her new collection for Chanel would be cinema. Rather a collective image than a separate genre or, moreover, a specific film. In teasers before the show, footage from iconic French films from the 60s alternated with a huge CHANEL sign, clearly inspired by the view of the Hollywood hills. The show itself began with short clips in which models Rihanna Van Rompuy, Micah Argagnaras and Louise de Chevigny pose in hotel interiors (a reference to the suite of the Parisian Ritz, where Gabrielle Chanel lived for 34 years). And later we were able to see the set design: those gigantic CHANEL letters from the first teaser. The circle is complete.

The choice of the theme for the collection is by no means accidental: the House of Chanel has always been closely associated with the world of cinema. The legendary Mademoiselle herself in 1931 managed to work on costumes for several tapes of the Hollywood studio United Artists, famous actresses more than once acted as advertisers for the House (Marilyn Monroe, Nicole Kidman and Kristen Stewart are only a small part), and even biopics and documentaries about the main As a revolutionary from fashion, we generally lost count long ago. And then, at a time when we are very limited in our ability to travel, cinema becomes one of the main ways to somehow change the environment.

Of course, the show, like the shooting of any film, began with the director's team - albeit in the recording, which became part of the soundtrack. And only after her, models in the outfits of modern movie heroines went on the catwalk. According to Virginie Viard, next spring they will try on all the iconic Chanel codes, but in a fresh and modern interpretation. The famous tweed jackets have become relaxed and voluminous and double-breasted - very much in the spirit of the times, when comfort is valued above all else. Pencil skirts in classic twos have been replaced by shorts and mini. The iconic 2.55 bags have shrunk in size and turned into micro-accessories (move over, Jacquemus!). And the little black dress, a textbook classic of the House, got a flying train of chiffon. Mademoiselle's favorite wide-leg trousers appeared in several outlets,by the middle of the show, turned into blue and pink jeans with pinches at the waist. Convenience has always been at the heart of Chanel's design approach, and relaxed, oversized trousers, in which you can take a wide stride, respond to it. New and unexpected applications were found even for the chains from Chanel handbags: they turned into thin rims on the heads of models. Most of the looks were also complemented by black bows (one of the favorite attributes of the legendary predecessor of Virginie Viard Karl Lagerfeld) and graceful veils, which most are unmistakably associated with the ephemeral "Parisian chic". And if someone is able to catch and fix this elusive mood in real, physical things, it is the masters of the House of Chanel. It is from them that we always expect fantasies, dreams and fairy tales. And they didn't let us down again. Convenience has always been at the heart of Chanel's design approach, and relaxed, oversized trousers, in which you can take a wide stride, respond to it. New and unexpected applications were found even for the chains from Chanel handbags: they turned into thin rims on the heads of models. Most of the looks were also complemented by black bows (one of the favorite attributes of the legendary predecessor of Virginie Viard Karl Lagerfeld) and graceful veils, which most are unmistakably associated with the ephemeral "Parisian chic". And if someone is able to catch and fix this elusive mood in real, physical things, it is the masters of the House of Chanel. It is from them that we always expect fantasies, dreams and fairy tales. And they didn't let us down again. Convenience has always been at the heart of Chanel's design approach, and relaxed, oversized trousers, in which you can take a wide stride, respond to it. New and unexpected applications were found even for the chains from Chanel handbags: they turned into thin rims on the heads of models. Most of the looks were also complemented by black bows (one of the favorite attributes of the legendary predecessor of Virginie Viard Karl Lagerfeld) and graceful veils, which most are unmistakably associated with the ephemeral "Parisian chic". And if someone is able to catch and fix this elusive mood in real, physical things, it is the masters of the House of Chanel. It is from them that we always expect fantasies, dreams and fairy tales. And they didn't let us down again.in which you can take a wide step. New and unexpected applications were found even for the chains from Chanel handbags: they turned into thin rims on the heads of models. Most of the looks were also complemented by black bows (one of the favorite attributes of the legendary predecessor of Virginie Viard Karl Lagerfeld) and graceful veils, which most are unmistakably associated with the ephemeral "Parisian chic". And if someone is able to catch and fix this elusive mood in real, physical things, it is the masters of the House of Chanel. It is from them that we always expect fantasies, dreams and fairy tales. And they didn't let us down again.in which you can take a wide step. New and unexpected applications were found even for the chains from Chanel handbags: they turned into thin rims on the heads of models. Most of the looks were also complemented by black bows (one of the favorite attributes of the legendary predecessor of Virginie Viard Karl Lagerfeld) and graceful veils, which most are unmistakably associated with the ephemeral "Parisian chic". And if someone is able to catch and fix this elusive mood in real, physical things, it is the masters of the House of Chanel. It is from them that we always expect fantasies, dreams and fairy tales. And they didn't let us down again. Most of the looks were also complemented by black bows (one of the favorite attributes of the legendary predecessor of Virginie Viard Karl Lagerfeld) and graceful veils, which most are unmistakably associated with the ephemeral "Parisian chic". And if someone is able to catch and fix this elusive mood in real, physical things, it is the masters of the House of Chanel. It is from them that we always expect fantasies, dreams and fairy tales. And they didn't let us down again. Most of the looks were also complemented by black bows (one of the favorite attributes of the legendary predecessor of Virginie Viard Karl Lagerfeld) and graceful veils, which most are unmistakably associated with the ephemeral "Parisian chic". And if someone is able to catch and fix this elusive mood in real, physical things, it is the masters of the House of Chanel. It is from them that we always expect fantasies, dreams and fairy tales. And they didn't let us down again.