The Unexpectedly Minimalistic Gucci Collection - The New Stage Of Alessandro Michele We Really Like
The Unexpectedly Minimalistic Gucci Collection - The New Stage Of Alessandro Michele We Really Like

Video: The Unexpectedly Minimalistic Gucci Collection - The New Stage Of Alessandro Michele We Really Like

Video: How Alessandro Michele Transformed Gucci 2022, December
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Alessandro Michele is known for his super-saturated styling, from which an unprepared person, even if he considers himself a maximalist, can easily get dizzy. Bow here, bow there; a dozen prints and five different textures, huge glasses, gold ear pads, fifteen rings over lace gloves, a wax head under the arm, a mini-dragon on the handles - you just need to be ready for all this. It is not surprising that all the latest Gucci shows diverge into memes - the same heads from the autumn-winter collection before last gave rise to a whole Instagram challenge. Therefore, the spring collection was a surprise even for fans of the Italian House. Not a trace remained of the eternal "too much": Alessandro Michele mercilessly removed all the details and details that we are so used to considering after each show,and acted as a kind of minimalist - as much as possible in principle in his case, without betraying himself.

The setting turned out to be the same: absolutely empty, almost sterile white space, cut by the luminous line of the travolator. He carried by guests, aiming at the catwalk with their iPhones, models dressed in the new Gucci - nothing superfluous, a minimum of distracting details. However, it was not without a performance: first, a group of heroes in straitjackets drove along the travolator, which they then threw off, giving rise to the show itself. The metaphor is quite straightforward: fashion exists to free us from stereotypes and allow everyone to be themselves. Which Michele has been doing throughout his public career, fighting against wardrobe stereotypes, at least gender.

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Of course, Alessandro Michele's minimalism and minimalism in its traditional fashion sense are completely different things. Imagine gloves with bracelets made of bullets around the wrists, fringe brushes, butterfly brooches similar to the same hairpins from childhood, glasses with plastic chains and other accessories from the Gucci show in the collection of some true minimalist. It's just that everything is learned in comparison: the details really became less, the silhouettes and the images themselves became much cleaner. Instead of rich textures and prints, Michele, on the contrary, relied on transparency - where until recently his model would have had a lush bow, now there is a black haze-mesh that does not hide the chest. Where there were pleated skirts and cardigans, as if pulled from a grandmother's chest, now weightless transparent dresses that emphasize the body, not hide it.Previously, lace, organza and tulle, revealing the chest, legs, body in general, were also found in Gucci collections. But they appeared with some kind of design detachment: it was never sexy, sensual, seductive. Michele, in principle, explored sensuality only in men's images, because the men's fashion world and society as a whole are not very at ease with the sensuality and fragility of the men's fashion world - and various brands have long been accustomed to selling women's clothing through sexuality. Now, again, the updated Gucci touches upon the issues of the physicality of women - and this is so unexpected that it surprises almost more than the absence of the usual extra-styling.seductive. Michele, in principle, explored sensuality only in men's images, because the men's fashion world and society as a whole are not very at ease with the sensuality and fragility of the men's fashion world - and various brands have long been accustomed to selling women's clothing through sexuality. Now, again, the updated Gucci touches upon the issues of the physicality of women - and this is so unexpected that it surprises almost more than the absence of the usual extra-styling.seductive. Michele, in principle, explored sensuality only in men's images, because the men's fashion world and society as a whole are not very at ease with the sensuality and fragility of the men's fashion world - and various brands have long been accustomed to selling women's clothing through sexuality. Now, again, the updated Gucci touches upon the issues of the physicality of women - and this is so unexpected that it surprises almost more than the absence of the usual extra-styling.which surprises almost more than the absence of the usual extra-styling.which surprises almost more than the absence of the usual extra-styling.

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