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Exhibitions In Moscow: Hirst, Delvoye, Salgado And Others
Exhibitions In Moscow: Hirst, Delvoye, Salgado And Others

Video: Exhibitions In Moscow: Hirst, Delvoye, Salgado And Others

Video: Exhibitions In Moscow: Hirst, Delvoye, Salgado And Others
Video: Inside VDNKH , Exhibition of Achievements of the People's Economy, Moscow, Russia 2024, March
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The hoaxers

from February 12 to March 13, NCCA

Erwin Wurm, Wim Delvoye, George Kondo, Barbara Kruger, Paul McCarthy, Damien Hirst … These names are enough to immediately go to the exhibition "The Hoaxers" at the NCCA, which brought together leading contemporary artists from America, Asia and Europe. The list of names continues by Tony Owsler, Malcolm Morley, Tony Matelli, Yasumasa Morimura, Keiichi Tanaami, Peter Saul and Joel-Peter Witkin.

All of them are united by mystification as a creative device - the Greek-Latin word mystification, rooted in European languages, which once meant initiation into the sacrament, in the XX-XXI centuries becomes one of the dominant artistic practices. Another meaning of an important word in the field of art is deception, the attribution of supernatural properties to an object, deliberate deception. How Barbara Kruger, who works with images of the media in the editing technique, plays up to him, Wim Delvoye, who constructs "machines" using the architectural elements of medieval Gothic cathedrals, and other prominent contemporary artists engaged in transforming reality and demonstrating everything that does not exist, can be seen even during months.

The Mystifiers exhibition is organized by the NCCA in collaboration with the Gary Tatintsian Gallery, where until March 1 you can still see the first part of the project - Mutated Reality - with works by Francis Bacon, Chuck Close, KAWS and other authors.

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Damien Hirst. "Beautiful Muruga, intense paranoid painting (with emanation of beauty)", 2008.

Genesis. Photos by Sebastio Salgado

from February 18 to May 15, Muravyov-Apostles Estate

Six months ago, a documentary film by Wim Wenders and Juliano Salgado "Salt of the Earth", dedicated to travel to the ends of the world and Sebastio Salgado, was released in Russia, and then this Brazilian photographer was widely discussed in Russia. His participation in Photobiennale 2016 with the Genesis exhibition, which includes 245 selected photographs, will continue the conversation about the majestic nature of the Earth, which Salgado knows much better than all of us.

From 2004 to 2011, he made a round-the-world photographic expedition and visited 32 vast regions that have not yet been touched by modern civilization. Salgado has visited the Kalahari Desert, the jungles of Indonesia, the Galapagos Islands, Madagascar, Alaska, Antarctica, and other places of amazing beauty and saved them in thousands of black and white photographs. He took a lot of pictures in Russia, having explored the Kamchatka Peninsula and Wrangel Island - along with the rest of the territories far from Moscow at the Genesis exhibition, you can study them for three months.

Sebastio Salgado. “Iceberg between Paulet Island and the South Shetland Islands in the Weddell Sea. Antarctic Peninsula , 2005.

Dmitry Tugarinov. Exhibition dedicated to the 60th anniversary of the master"

from February 16 to March 6, Russian Academy of Arts

To provoke in sculpture - perhaps the most classic and difficult to perceive art form - is not an easy task. The sculptor Dmitry Tugarinov set such a high standard for himself forty years ago: in Soviet times, the young artist managed to bypass censorship, making works on religious and political themes. However, this did not prevent him from winning serious academic competitions and subsequently donning the mantle of an academician himself. Now, when the shackles of prohibitions have fallen and freedom of self-expression reigns in the world of art, Tugarinov continues to work on "sharp" topics, depicting women "in the body" doing aerobics, one-legged ballerinas or people at a spiritualistic session.

It is not surprising that Tugarinov is an ardent opponent of ceremonial portraits. How else to explain the fact that Bella Akhmadulina is in a stretched sweater and felt boots, Vasily Surikov in a dressing gown and slippers, and Generalissimo Suvorov, two monuments to whom Tugarinov erected in Switzerland, is depicted as an old, sick person, and not a gallant commander? The answer lies, oddly enough, on the surface. According to the sculptor, behind each dress uniform, uniform and tuxedo, there is such a simple person - in an old sweater and slippers, sometimes with a cold. It is the humanity and ordinariness that Tugarinov values in his heroes, and not the outward manifestations of their career success.

The second personal exhibition of Tugarinov within the walls of the Russian Academy of Arts will occupy ten rooms, each of which will be dedicated to a specific topic. The guests will be greeted by a little girl in her mother's big shoes - an identical work is installed in the Muzeon Park. And to see off - the sculptor's favorite Rubens women in the gymnastic pose of birch trees, the hall with which is ironically called "Birch Grove".

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